{"id":15379,"date":"2022-08-04T11:03:11","date_gmt":"2022-08-04T11:03:11","guid":{"rendered":"https:\/\/menning.kopavogur.is\/event\/ad-infinitum-elin-hansdottir-ulfur-hansson-2\/"},"modified":"2023-08-22T15:16:13","modified_gmt":"2023-08-22T15:16:13","slug":"ad-infinitum-elin-hansdottir-ulfur-hansson-2","status":"publish","type":"event","link":"https:\/\/menning.kopavogur.is\/en\/event\/ad-infinitum-elin-hansdottir-ulfur-hansson-2\/","title":{"rendered":"AD INFINITUM"},"content":{"rendered":"\n<p>Ad Infnitum&nbsp;in Ger\u00f0arsafn is a thought-provoking&nbsp;collaboration between visual artist El\u00edn Hansd\u00f3ttir and&nbsp;composer\/sound artist \u00dalfur Hansson. Together, the Icelandic&nbsp;duo (and siblings) explore subtle phenomenological aspects&nbsp;of spatial orientation. Hansd\u00f3ttir and Hansson invite the&nbsp;viewer to dwell in a liminal space that evades concrete&nbsp;meaning but foregrounds the embodied awareness of being&nbsp;present in an environment.<br><br>El\u00edn Hansd\u00f3ttir\u2019s immersive installations leverage sculpture,&nbsp;photography, and exhibition spaces to explore uncertainty,&nbsp;disorientation, sensorial limitation, and visual illusion. Her&nbsp;aesthetic centers not on prompting discomfort, but rather&nbsp;on triggering modes of perception that draw out the&nbsp;palpable, yet somehow ine\ufb00able, experience of presentness&nbsp;in space.<\/p>\n\n\n\n<p><br>\u00dalfur Hansson\u2019s multi-channel looping composition<br>(comprising this installation\u2019s sonic arm) similarly functions<br>less as a soundscape and more like an active force that<br>orients the viewer\u2019s awareness to the act of traversing the<br>exhibition space.<\/p>\n\n\n\n<p><strong>El\u00edn Hansd\u00f3ttir<\/strong>&nbsp;(b. 1980) is an Icelandic artist based in Reykjav\u00edk and Berlin and she currently holds a residency at&nbsp;<a href=\"https:\/\/www.bethanien.de\/en\/\" target=\"_blank\" rel=\"noopener\">K\u00fcnstlerhaus Bethanien<\/a>&nbsp;for the years 2021-2022. She holds a BA from Iceland Academy of the Arts and in 2006 she received her MA from Kunsthochschule Weissensee in Berlin. Some of her recent shows include Open Studios at K\u00fcnstlerhaus Bethanien in Berlin, Germany (2021), I\u00f0av\u00f6llur: Icelandic Art in the 21st Century at the Reykjav\u00edk Art Museum in Reykjav\u00edk, Iceland (2021), Latent Shadow, and Portal at Harbinger Gallery in Reykjav\u00edk, Iceland (2020), and Glass and Concrete &#8211; Manifestations of the Impossible at Marta Herford in Herford, Germany (2020).&nbsp; In 2021 she published the book Long Place documenting her 2005 installation Untitled for the Reykjav\u00edk Arts Festival.&nbsp;<\/p>\n\n\n\n<p>El\u00edn&#8217;s multidisciplinary practice combines sculpture, photography, and installation to create site-specific works that visually challenge the audience. Her immersive installations transform a place, reconfiguring the scale, geometry, or even its existence at all. Each of El\u00edn\u2019s works follows its own set of rules, constructing an individual world with physical and psychological effects on the viewer. In her works, she explores techniques such as optical illusions, labyrinthian tunnels, disorientation, and playful photography tricks. The unfamiliar physical realities of her installations invite the audience to question one\u2019s own perception of space and time.&nbsp;<\/p>\n\n\n\n<p><strong>\u00dalfur Hansson<\/strong>&nbsp;(b.1988) is an Icelandic musician, film composer, and sound artist based in Brooklyn, New York. He holds an MFA from Mills College in Oakland California. \u00dalfur has produced three solo albums, Arborescence (2017), which was nominated for the Kramer Prize in 2017, White Mountain (2013), which was nominated for the Kramer Prize in 2013, and Psalms (2008). Recent commissions have included works for the Tectonics festival curated by Ilan Volkov, The Icelandic Symphonic Orchestra, L\u2019Orchestre de Radio France, and the Kronos Quartet.&nbsp;<\/p>\n\n\n\n<p>In addition to his solo work, \u00dalfur Hansson invented and created his own instrument, the Segulharpa, or in English, the Magnetic Harp. The instrument won the President\u2019s Innovation Prize and Innovation Fund, as well as first place at the 2021 Guthman Musical Instrument Competition at Georgia Tech University in Atlanta, Georgia. A piece written for an early prototype of the magnetic harp earned him the award of Composer of the Year at the International Rostrum of Composers in 2013. The Segulharpa is an electromagnetic acoustic instrument, creating a unique sound that blends two worlds, the electronic and the acoustic. Inside the wooden structure are 24 strings that vibrate using electromagnets which are activated by touchpads on the front panel or remotely by computer. When activated, the strings release an ethereal hum, like a ghostly organ.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ad Infnitum&nbsp;in Ger\u00f0arsafn is a thought-provoking&nbsp;collaboration between visual artist El\u00edn Hansd\u00f3ttir and&nbsp;composer\/sound artist \u00dalfur Hansson. Together, the Icelandic&nbsp;duo (and siblings) explore subtle phenomenological aspects&nbsp;of spatial orientation. Hansd\u00f3ttir and Hansson invite the&nbsp;viewer to dwell in a liminal space that evades concrete&nbsp;meaning but foregrounds the embodied awareness of being&nbsp;present in an environment. El\u00edn Hansd\u00f3ttir\u2019s immersive installations leverage [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7711,"template":"","cultural_house":[263,263],"event_category":[],"event_tag":[],"event_umbrella":[],"class_list":["post-15379","event","type-event","status-publish","has-post-thumbnail","hentry","cultural_house-gerdarsafn-en"],"acf":{"action_button_link":"","action_button_text":"","all_day_event":true,"artists":[{"artist_name":"El\u00edn Hansd\u00f3ttir"},{"artist_name":"\u00dalfur Hansson"}],"color_override":false,"curator":"","embeddables":[{"title":"","code":""}],"end_date":"2022-03-27","event_type":"exhibition","location":"","multiday_schedule":false,"photo_gallery":false,"price":"","related_events":null,"short_title":"AD INFINITUM","start_date":"2022-01-14","umfjollun":"","video_cover":""},"_links":{"self":[{"href":"https:\/\/menning.kopavogur.is\/en\/wp-json\/wp\/v2\/event\/15379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/menning.kopavogur.is\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/menning.kopavogur.is\/en\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/menning.kopavogur.is\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":0,"href":"https:\/\/menning.kopavogur.is\/en\/wp-json\/wp\/v2\/event\/15379\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/menning.kopavogur.is\/en\/wp-json\/wp\/v2\/media\/7711"}],"wp:attachment":[{"href":"https:\/\/menning.kopavogur.is\/en\/wp-json\/wp\/v2\/media?parent=15379"}],"wp:term":[{"taxonomy":"cultural_house","embeddable":true,"href":"https:\/\/menning.kopavogur.is\/en\/wp-json\/wp\/v2\/cultural_house?post=15379"},{"taxonomy":"event_category","embeddable":true,"href":"https:\/\/menning.kopavogur.is\/en\/wp-json\/wp\/v2\/event_category?post=15379"},{"taxonomy":"event_tag","embeddable":true,"href":"https:\/\/menning.kopavogur.is\/en\/wp-json\/wp\/v2\/event_tag?post=15379"},{"taxonomy":"event_umbrella","embeddable":true,"href":"https:\/\/menning.kopavogur.is\/en\/wp-json\/wp\/v2\/event_umbrella?post=15379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}